7-5-2021

Working Musicians

Currently finising off the recordings we did in Studio 150, Bethlehemkerk in April. I always like to let a recording session go dormant for a month or two before coming back to it. Its a kind of litmus test for whats been commited to tape/drive - if I still like it after all that time its worth working further on. If not it isnt. Most of the tracks have been delivered to my mixer/producer Zlaya. All I know at the moment is that we created good energy together in that studio and thats what we have captured in these recordings - the whole team working IN the song together and in the moment. Thats what I hear when I listen to the session bounces. Its good.

 

22-3-2021

New album(s) on the way

Ive written swags of songs during covid and am heading into Studio 150 Bethlehemkerk in Amsterdam to record a bunch of them in April. The 9 or 10 tunes I plan to track in there belong together, but more to the point they lend themselves to being recorded with a big spacious room sound. 150 is a former church and Im looking forward to getting in there and "playing the room" with Madelief van Vlijmen on bass/piano/keys and bvs, Mischa Porte on drums/percussion and Stefan Wolfs on pedal steel and guitars. We plan to use the ambience of the big church like an extra instrument and extra band member. I thought long and hard about not hiring expensive stuido time (150 is high end of the market lush), especially in the current shit climate, but this bunch of tunes is really going to benefit from true ambience in a way that cant be done with digital modelling. I have a whole bunch of other material that Im happier to faff about with at home via file swapping without the added cost of big studio time, but these tunes are screaming room and depth. Ill be working on the home-recordings in parralell so have 2 rekkids at least, maybe 3 on the way. In the meantime, the little combo I have together for the Studio 150 sessions in April is sounding very exciting and imparting serious vibe to the material. There is an environmental theme on the new to-be-recorded record - I feel I have found a musical language that covers my feelings about it without sounding redundant or cliche. What a relief! Working title STAR & COUNTRY

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23-2-2021

Survive in style champions!

 "Letters of Gold" airplay in France, Germany, Scandinavia, Australia, America and the UK  as well as some cool reviews from all of those territories and a 600% rise in streaming figures in the last 3-4 months. 600% of nothing in financial terms is still nothing but it nevertheless signifies a rise in the number of people who are actually finding their way through the clutter of the net to the music I make. This vid here is the song  "No Sleep Until the Work is Done" which got playlisted briefly on a commercial syndicated radio station here in the Netherlands called ARROW CLASSIC ROCK. Thats a station that plays Stones, Zeppelin, Aerosmith etc...you get the drift. I dont know how they snuck this tune in amongst all of that or why even but thats kind of beside the point. The song has fraternised with the big time...it didnt stay there for long but it was there. Its not a rock song either.

 

31-8-2020

More news from the old country

Dan Tuffy triumphantly blends electronic and earthy sounds on his sophomore album, Letters Of Gold

REVIEW: FORTE MAGAZINE - AUSTRALIA (August 2020)
A record bound to cast a long shadow.
"I first heard Dan Tuffy way back in the 1980s when in Tasmania. He was a founding member of Wild Pumpkins at Midnight, which later went on to ARIA success, before heading off to Europe. Since 1995, Dan has been a Netherlands resident, writing, producing and performing while owner of Smoked Recordings.
It’s been three years since Dan’s 2017 debut solo album Songs from Dan which gathered much critical praise and had him busy touring Australia and Europe.
His new album, Letters Of Gold has just been released, and is a move away from his more country albums to a more unique approach where bass, electronic and percussive elements come to the foreground.
The recording process involved multiple collaborations musicians from around the globe including bass players Madelief van Vlijmen and Judith Renkema (The Netherlands), co-producer, midi programmer and sound-scaper Michael Turner (Australia) and multi-instrumentalists Lucie Thorne & Matt Walker.
I could spend some time talking about all the tracks on this album, but for our locale, the standout is ‘Big Man’, a tribute to our own Chris Wilson. This song was put together and previewed by Sarah, Fenn and George before being released.
A definite one for extended listening."
 

 

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